Articles

Discipline and Difference: An Event Report on 'Silent Spring'

Karina Jakubowicz , Sophie Jones , Stephanie Lambert and Catherine Spencer

2013-12-10 Volume 4, Issue 2

‘Year of tilting’: Gleaning the Leaning Xylarium

Natalie Joelle

2013-12-10 Volume 4, Issue 2

Filthy Feet in Seicento Rome: Dirt as Relic and Text

Catherine McCormack

2013-04-26 Volume 4, Issue 1

‘Corrupted Bodies’: The Relationship between Power, Corruption, and Illness in Irvine Welsh’s Filth

Anthony May

2013-04-26 Volume 4, Issue 1

Music with a British Accent: Underscoring in British Films of the 1930s

Alexis Bennett

2013-04-26 Volume 4, Issue 1

The Predator Disgusts: Intrusion Fantasy and the Decay of Innocence

Gabrielle Kristjanson

2013-04-26 Volume 4, Issue 1

‘I’d rather be dirty’: The Queering of the Greenwood in E. M. Forster’s Maurice

Jeff Bush

2013-04-26 Volume 4, Issue 1

Birdsong for Prisoners (Text)

Joe Osmond

2013-04-26 Volume 4, Issue 1

On Georges Seurat’s The Gleaner

Natalie Joelle

2013-04-26 Volume 4, Issue 1

Abandoned Images: Film and Film’s End

Fernando Sdrigotti

2013-04-26 Volume 4, Issue 1