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Volume 8 • Issue 1 • 2017 • The Contemporary
The Contemporary
Article
Contemporary Art and the Post- 1989 Art World
Tijen Tunali
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
‘You Willingly Tie Yourself to These Leashes’ Neoliberalism, Neoliberal Rationality, and the Corporate Workplace in Dave Eggers’ The Circle
Philippa Hobbs
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
The Becoming of Contemporaneity through Experimental Fiction
Carly Robinson
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
'Enemy Lines': Contemporary Poetry and Returns to 18th Century Notions of Enclosure
Dylan Williams
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Short Circuit
The Neo-Nomadic Artist
Donatella Valente and Sarawut Chutiwongpeti
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Dossier
Memes, Magic and What It All Means: On Explaining Current Research When Your Findings Leave You Lost for Words
Hannah Barton
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Dossier: Contemporary Methodologies
Rebecca Sykes and Thomas Travers
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Researching Theatre and Mental Illness: Transdisciplinary Trouble
Maria Patsou
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Methodology in the Medical Humanities: A Short Narrative of Theory and Practice
Jan Nawrocki
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary
Review
The Testament of Mary by Colm Tóibín
Karina R. Cicero
2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary