Volume 4 • Issue 1 • 2013 • Filth

Voice and Sound

Articles

Filthy Feet in Seicento Rome: Dirt as Relic and Text

Catherine McCormack

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

‘Corrupted Bodies’: The Relationship between Power, Corruption, and Illness in Irvine Welsh’s Filth

Anthony May

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

The Predator Disgusts: Intrusion Fantasy and the Decay of Innocence

Gabrielle Kristjanson

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

‘I’d rather be dirty’: The Queering of the Greenwood in E. M. Forster’s Maurice

Jeff Bush

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

On Georges Seurat’s The Gleaner

Natalie Joelle

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

'Corrupted Bodies': The Relationship between Power, Corruption, and Illness in Irvine Welsh’s Filth

Anthony May

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Matter Pictured In Its Place: Cholera and the Slums of London

Amanda Sciampacone

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Cover Art: Untitled #7

Emma Byrne

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Call for submissions: Ecology

Fiona Johnstone and Sophie Jones

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Short Circuit

Birdsong for Prisoners (Text)

Joe Osmond

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Music with a British Accent: Underscoring in British Films of the 1930s

Alexis Bennett

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Reviews

Remote Control, ICA London

Nicola A McCartney

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Radio: Essays in Bad Reception - Book Review

Holly Pester

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Making Noise: From Babel to the Big Bang and Beyond

Albert Pellicer

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Abandoned Images: Film and Film’s End

Fernando Sdrigotti

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth

Disability and Modern Fiction: Faulkner, Morrison, Coetzee and the Nobel Prize for Literature

Harriet Cooper

2013-04-26 Volume 4 • Issue 1 • 2013 • Filth