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Volume 4 • Issue 1 • 2013 • Filth

Voice and Sound

Articles


Filthy Feet in Seicento Rome: Dirt as Relic and Text

  • Catherine McCormack

Volume 4 • Issue 1 • 2013 • Filth

‘Corrupted Bodies’: The Relationship between Power, Corruption, and Illness in Irvine Welsh’s Filth

  • Anthony May

Volume 4 • Issue 1 • 2013 • Filth

The Predator Disgusts: Intrusion Fantasy and the Decay of Innocence

  • Gabrielle Kristjanson

Volume 4 • Issue 1 • 2013 • Filth

‘I’d rather be dirty’: The Queering of the Greenwood in E. M. Forster’s Maurice

  • Jeff Bush

Volume 4 • Issue 1 • 2013 • Filth

On Georges Seurat’s The Gleaner

  • Natalie Joelle

Volume 4 • Issue 1 • 2013 • Filth

'Corrupted Bodies': The Relationship between Power, Corruption, and Illness in Irvine Welsh’s Filth

  • Anthony May

Volume 4 • Issue 1 • 2013 • Filth

Matter Pictured In Its Place: Cholera and the Slums of London

  • Amanda Sciampacone

Volume 4 • Issue 1 • 2013 • Filth

Cover Art: Untitled #7

  • Emma Byrne

Volume 4 • Issue 1 • 2013 • Filth

Call for submissions: Ecology

  • Fiona Johnstone
  • Sophie Jones

Volume 4 • Issue 1 • 2013 • Filth

Short Circuit


Birdsong for Prisoners (Text)

  • Joe Osmond

Volume 4 • Issue 1 • 2013 • Filth

Music with a British Accent: Underscoring in British Films of the 1930s

  • Alexis Bennett

Volume 4 • Issue 1 • 2013 • Filth

Reviews


Remote Control, ICA London

  • Nicola A McCartney

Volume 4 • Issue 1 • 2013 • Filth

Radio: Essays in Bad Reception - Book Review

  • Holly Pester

Volume 4 • Issue 1 • 2013 • Filth

Making Noise: From Babel to the Big Bang and Beyond

  • Albert Pellicer

Volume 4 • Issue 1 • 2013 • Filth

Abandoned Images: Film and Film’s End

  • Fernando Sdrigotti

Volume 4 • Issue 1 • 2013 • Filth

Disability and Modern Fiction: Faulkner, Morrison, Coetzee and the Nobel Prize for Literature

  • Harriet Cooper

Volume 4 • Issue 1 • 2013 • Filth