The films of John Akomfrah have begun, with their recent increase in both budgets and ambitions, to seem less like artworks than research projects. The Nine Muses (2012) worked through a specific body of testimony and archive footage related to the first post-war wave of Caribbean migrants to arrive in Britain. The Stuart Hall Project and The Unfinished Conversation(2013) sorted through the facts and documents of the life and ideas of a figure important to Akomfrah's project –Hall had acted in an advisory role early on in the work of the Black Audio Film Collective, of which Akomfrah was a founding member. Peripeteia, first shown in Akomfrah's 2012 show at Carroll/Fletcher, extrapolated from two drawings by Albrecht Dürer depicting black Africans a bleak, well-composed drama of dislocation.
How to Cite:
Barrow D., (2017) “Vertigo Sea by John Akomfrah”, Dandelion: Postgraduate Arts Journal and Research Network 8(1). doi: https://doi.org/10.16995/ddl.363