• Volume 8 • Issue 1 • 2017 • The Contemporary

    Volume 8 • Issue 1 • 2017 • The Contemporary


The Contemporary

Article


'Enemy Lines': Contemporary Poetry and Returns to 18th Century Notions of Enclosure

Dylan Williams

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

The Becoming of Contemporaneity through Experimental Fiction

Carly Robinson

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

‘You Willingly Tie Yourself to These Leashes’ Neoliberalism, Neoliberal Rationality, and the Corporate Workplace in Dave Eggers’ The Circle

Philippa Hobbs

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Editorial

Rebecca Sykes and Thomas Travers

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Contemporary Art and the Post- 1989 Art World

Tijen Tunali

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Short Circuit


The Neo-Nomadic Artist

Donatella Valente and Sarawut Chutiwongpeti

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Dossier


Dossier: Contemporary Methodologies

Rebecca Sykes and Thomas Travers

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Methodology in the Medical Humanities: A Short Narrative of Theory and Practice

Jan Nawrocki

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Researching Theatre and Mental Illness: Transdisciplinary Trouble

Maria Patsou

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Memes, Magic and What It All Means: On Explaining Current Research When Your Findings Leave You Lost for Words

Hannah Barton

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Review


Vertigo Sea by John Akomfrah

Dan Barrow

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

Mutants: Toby Litt on Writing and Literature

Mara Arts

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary

The Testament of Mary by Colm Tóibín

Karina R. Cicero

2017-06-22 Volume 8 • Issue 1 • 2017 • The Contemporary