Abstract
By drawing on installation artist and filmmaker Apichatpong Weerasethakul, and on feminist theorist and media artist Trinh T. Minh-ha, Donatella Valente’s video essay ‘B r e a t h i n g in Apichatpong’ reflects on the technical abilities of the video camera to ‘breathe’, which is to write and reshape space, and create a woman’s ‘fourth dimension’ where she locates a new realm of awareness and activity. Through her ‘seeing and being’ in the digital domain, poised between stillness and speed, woman thus outlines a new video aesthetic.
Her video essay is on YouTube: https://www.youtube.com/watch?v=M6INCp2jq2M
Keywords: feminist video, breathing, video aesthetic
How to Cite:
Valente, D., (2018) “B r e a t h i n g in Apichatpong”, Dandelion: Postgraduate Arts Journal and Research Network 9(1). doi: https://doi.org/10.16995/ddl.693
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